This is awesome if you have loads of tracks on your timeline and need an all-encompassing cut on the fly. You can also hold shift along with ⌘+K, which will cut all the tracks on the playhead, not just the selected ones. It’s one of the simplest, most effective cuts you can make since your playhead is usually on top of where you want to cut when you’re scrubbing through footage. The way Playhead Splitting works is that when you enter ⌘+K while clicked into your timeline, the command splits your selected clip right at the playhead marker. If you’re a keyboard shortcut junkie like myself, ⌘+K (or Ctrl+K if you’re editing with a PC), this may already be your cutting technique of choice. How to Split a Clip at the Playhead (⌘+K) It’s not a part of my editing workflow since I primarily use the ⌘+K method (we’ll get to that next), but everything is in its proper place. It also can be tricky to use on a spaced-out timeline, and may cut a few frames you didn’t intend to trim. And, switching from your cursor to the Razor tool can become tedious (even though it’s just pressing the C key. If you want it to magnetize to your playhead, you must select the magnetize option. The Razor tool, however, has its limitations. So, if you need to make a bunch of cuts in a row, the Razor is the tool for the job. The Razor tool is also a huge help when working with extensive timelines with multiple tracks because you can select the clip you want to cut by placing your razor over it. It’s also beneficial when making a montage jump cut because you can just cut down the line and delete the clip sections that you don’t need. This is a straightforward tool to get the hang of for beginners because it’s so straightforward. It’s the first thing you learn to use when editing your first project since it’s the most direct cutting tool. We genuinely believe that these types of edits for these tools are an essential step in understanding how editing works and, more specifically, how to edit inside Premiere Pro.Įven if you know all the different ways to cut, knowing which tool works best for your particular edit is good.Īh, yes. There are other ways to cut, such as the slip and slide method, but for this article, we’re just going to look at some of the fundamental edit tools. The “Command/Ctrl + K” Shortcut / Playhead Splitting.Well, thankfully, Premiere Pro offers three distinct ways to manipulate and cut up a video clip-or your timeline: When you get to that point, what’s the best way to approach cutting? Then, after everything is organized, you may have to cut down even further and comb through additional video and audio tracks. The primary function of editing software is to cut down clips and place them in a particular order to create a story. You can change the default audio effect by expanding the Effects > Crossfade dropdown, right-clicking an audio effect, and selecting Set Selected as Default Transition.In this walkthrough, we’ll cover how to use the razor tool, the ctrl+K/⌘+K shortcut, and Ripple and Trim editing techniques in Premiere Pro.Ĭutting, obviously, is one of the most essential parts of an edit. It's better to try all three effects and see for yourself which one fits the best in your case. You can choose the other two effects from the Effects panel for a better crossfade effect. This is because the volume drop is gradual in those effects, unlike in Constant Gain, where the audio level increases/decreases at a steady pace. The Constant Power and Exponential Gain effects feel much smoother and less abrupt than Constant Gain. crossfade audio the difference lies in how they fade in/out the audio levels. Exponential GainĬonstant Power is the default effect that gets applied when you press Ctrl + Shift + D, or Cmd + Shift + D on macOS.Ĭonstant Gain, on the other hand, is the simplest crossfade effect out of the three as it creates a fading audio effect by adding two keyframes in each audio track and increasing/decreasing the audio levels at a consistent rate.Īll three effects achieve the same goal, i.e.
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